Early this month, the website for National Public Radio published a list of top books for 2020 par excellence. I took it as a very, very long series of reading prompts, and below are some of the results:
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A few books were interesting but I decided to skip reading the rest of the book after reading the introduction. (Also because this leaves me with a better chance of finishing over a hundred others...)
Later: My Life at the Edge of the World is a memoir of a time when the author, Paul Lisicky, took up a position as a fellow in the Fine Arts Work Center in Provincetown, Massachusetts, further away from his family. It was in the early 1990s and AIDS was breaking out, and even before then the author (and his mother, perhaps exaggeratedly so) was conscious of his social vulnerability as a gay man.
It is about family drama as well as the author's individual life. It's also not light reading: molestation, suicide, and marital disagreements already appear in the introduction. [And, to be very clear: I only read the introduction, so the rest of this review should be taken with a grain of salt.] So I'd suggest that perhaps the memoir is best suited for readers who will find the depiction of this kind of dysfunction cathartic or interesting, rather than unsettling or too personal.
For example, he writes how his mother has, to a degree, given up on life. Rather than die by suicide, which would be too dramatic for her, she ekes out her existence in a half-life:
Not making new friends, not allowing herself to be known, eating too much ice cream, no exercise, watching daytime talk shows that don’t even capture her attention. Life as pure endurance instead of the hard, hard work of finding interests that refresh and nourish her.
It's an interesting line of thought, not far from Henry David Thoreau's "The mass of men lead lives of quiet desperation." I'm sure the mother was asked for her consent to have her inner life described in the book. Is this a topic that should be published for the entertainment of the masses, however, or is this a topic that you can talk about over dinner to close personal friends? I'd go with the latter.
In any case he's indubitably an excellent writer and I'm surprised I hadn't heard of him before; perhaps he's a writer's writer whom one hears about more in professional circles. He's also published a memoir before, The Narrow Door.
Later: My Life at the Edge of the World
Paul Lisicky
Minneapolis: Graywolf Press, 2020
Cover of Later, via Graywolf Press |
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Travelling from the coast of New England to the southern US, a collection of humoristic short stories about working- and middle-class Americans by George Singleton also looked really good; it was a little bawdy.
You can find three of his stories on the website of the Atlantic Monthly here to get an idea.
You Want More: Selected Short Stories of George Singleton is published by the independent Hub City Press.
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Cover of Alien Oceans, via Princeton University Press |
In the end, I've been reading two books. The first is this, published by Princeton University Press:
Alien Oceans: The Search For Life In The Depths of Space
Written by a Californian professor with the Jet Propulsion Laboratory, this non-fiction book explores the ideas we have of oceans on other planets or moons.
Kevin Hand begins by telling anecdotes of the time when, as a graduate student, he took a submarine to the ocean floor in the company of Hollywood film director James Cameron. But the rest of the book so far is unsensational, and like a nice undergraduate lecture series.
He takes us from one moon in the orbit of Saturn to the other, and I was thrilled to learn that there are ice volcanoes (cryovolcanoes) on moons like Enceladus, and that such a small moon (500 km in diameter, I think) was already visible to scientists in the 18th century. Besides there are introductions to spectroscopy and a few other staples of astrophysics methodology.
Any person with a Grade 10 level of science, and no great inhibitions or feud against science, can follow it, I think. Even better: despite my analogy to undergraduate lectures, there is no need to do tests, tutorials, or lab work. The analogies — like the metal detector in airport security — are committed to and well spaced apart, so I didn't feel the bored bewilderment that I did when I read an Einstein biography that bombarded me with one analogy for special relativity after the other.
I could imagine a few post-graduates or professors in Chemistry or Physics wanting to thump their heads on their desks if they read Alien Oceans, because sacrifices of accuracy have been made to help general readers understand scientific concepts. But because these professional peers are not the target audience, they'd have to go out of their way to inflict this pain on themselves.
On another note: As a humanities student, I have met examples of the Ivory Tower Ego. When I was at UBC, a professor had released a bestselling book that was turned into a documentary film. It's unfair to say this as I only saw the man once; but when he strode through the streets with his briefcase and took the bus along with hoi polloi, I felt it was with a strikingly self-conscious air. Not to mention a few other professors who also evidently saw themselves as mini-celebrities of the lecture hall, on far slighter grounds.
But in Alien Oceans, Hand portrays a collaborative research world in which long-term effort and sound thinking are as important as flashy brilliance. He honours Cassini and other NASA excursions for providing the data for scientists to work with. He mentions to which researchers (sometimes his friends) we owe which findings. And he forebears from saying anything ostentatiously modest about 'standing on the shoulders of giants.'
In general I like feeling that Alien Oceans mirrors the atmosphere that I sometimes felt when my father was working in physics or biology departments: real contentment in sharing knowledge with each other and asking each other for advice, and patiently putting in (lab) time day after day to figure out the puzzles they have set themselves.
(I am listening to the audiobook, so am not going to say anything about the prose as prose.)
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