Showing posts with label David Alexander Robertson. Show all posts
Showing posts with label David Alexander Robertson. Show all posts

Sunday, July 12, 2020

Canada, First Nations, and Residential Schools

On June 21st, which is National Indigenous Peoples Day in Canada, I read a Twitter message by Shelagh Rogers that related to First Nations authors. (Shelagh Rogers is a former radio host for a Canadian national broadcaster, and now Chancellor of the university at which my father used to work.) So it made me curious about First Nations literature, which is — surprisingly, since I lived in Canada for 15 years — 'terra incognita' to me.

Speaking of which, Canada's literary magazine The Walrus is also running a series of short-form fiction, of non-fiction essays and of artwork by First Nations authors and artists: Terra Cognita.

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Cover, Sugar Falls
Artwork by Scott B. Henderson
Highwater Press, 2012

Aside from David A. Robertson's graphic novel Stone, described in this blog post, I also read Sugar Falls yesterday. (A few of Robertson's books are on the book subscription website Scribd, so I will be reading still more.)

Sugar Falls is a look at a real-life story of a Cree child's life in a 20th-century residential school in central Canada, after she was taken from her parents to be educated according to government guidelines. It is not for the faint of heart and it describes the abuse she went through.

I'd say that the book stands for itself. A large part of its power is that it tries to hew closely to the life story at its core, which was shared with the author by an elder, Betty Ross. This restraint is almost an ideological statement, when it is so easy to adapt someone's testimony to suit one's own artistic interests and opinions. To be frank, I prefer Sugar Falls a bit to Stone, although it's even harder reading. So I want to imitate the author's example, by not over-paraphrasing the story, and not running the risk of misinterpreting reality.

Sugar Falls: A Residential School Story [Highwater Press]

*

To digress, reading online sources about the Residential School that's mentioned in the book was enlightening. It underlined that an undeserved self-complacency — although that's easy for me to say, since I'm of a younger generation that doesn't directly carry this moral burden — still exists in the communities that founded and ran these schools. A website run by the United Church of Canada (which operated the residential school after 1925) writes rather harmlessly of Norway House:
The church rebuilt in 1952, with room for 120 students in two dorms housed in separate buildings in order to minimize the risk of fire. The half-day system was abandoned.
By 1964, there were 138 children in residence at Norway House IRS and 242 day students who lived in their own homes in the community. Margaret Ann Reid recalled her experiences as a young teacher of the grade 2/3 class: "Progress was slow for many of the children—this was partly due to the language barrier —schoolwork was in English—the students were accustomed to talking and thinking in Cree. There were no restrictions on speaking Cree outside the classroom." Reid also noted that attendance continued to be very fluid in the school, as children frequently stayed home to care for siblings or to accompany their families on trapping and fishing excursions.
In other words, the Church's summary denies that children were held apart from their parents, or that children were punished for speaking Cree (at least 'outside the classroom'). Also, it does not recognize the sexual abuse that is alleged to have occurred,* nor does it mention the drowning death of a girl — described in Sugar Falls — who tried to escape the school. [Edited to add: That said, the graphic novel speaks of a Roman Catholic school, whereas Norway House was Methodist/United Church. Perhaps this was the only detail that was changed from real life, or perhaps other details have also been changed to reflect First Nations children's experiences in other schools as well.]

In the meantime, a report of the Truth and Reconciliation Commission, which investigated residential schools, describes the view of another teacher, Dorothy McKay, who taught there in the 1960s:
I think about the first week, you’d hear the children crying themselves to sleep, but the other side of that is I can remember we would go to the plane with them when it was time at the end of June for them to go home [they were] crying [...]
Implicitly contradicting Ms. Reid's representation, Ms. McKay concludes that the children's tears do not reflect mere love for the school. Rather, they reflect the traumatic experience of many months' separations from their families:
[T]hey no longer knew about their homes, they’d been away for ten months [...]
Sugar Falls [Goodreads]
Norway House Indian Residential School [United Church of Canada Archives]
Canada's Residential Schools: The History, Part 2, 1939 to 2000: The Final Report of the Truth and Reconciliation Commission of Canada, Vol. I [Google Books]

* e.g. To cite another case: In her memoir Back to the Red Road, a woman recounts that she taught at Norway House in the 1950s when she was 19 years old, and found out years later that one of her pupils had been abused during his time there. A summary of the book can be found in:
"The New Victims" by Jula Hughes. In Power Through Testimony: Reframing Residential Schools in the Age of Reconciliation. Brieg Capitaine and Karine Vanthuyne, ed. (Vancouver: UBC Press) p. 191 [Google Books]
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Saturday, July 11, 2020

Stone: Linking the Present and the Past for Modern-Day Cree

After realizing that I haven't read many First Nations authors despite living in Canada for ~15 years, I did a little research to find a few names, and started today with a short graphic novel by David A. Robertson.

Living in the province of Manitoba, he is a member of the Norway House Cree Nation. He has written many other books that also thematize the Cree community. For example, one was about Helen Betty Osborne, who was murdered when she was only 19 years old in 1971, and whose murder was only resolved after 16 years after investigations that were reported to have been undercut by racism and sexism.

It, and his series 7 Generations, were censored in school systems in the province of Alberta. In the case of 7 Generations, it was alleged that the series contained "sensitive subject matter and visual inferencing of abuse regarding residential schools."

David Alexander Robertson [Goodreads]
David A. Robertson [Twitter]
"Edmonton public schools to review its ‘books to weed out’ list due to concerns" [Global News Canada] by Colette Derworiz, The Canadian Press (September 25, 2018) [Read July 11, 2020]
"Alberta government 'censored' Indigenous book, undermining reconciliation in schools, author says" [Canadian Broadcasting Corporation (CBC) Radio] by Amara McLaughlin (November 23, 2018) [Read July 11, 2020]

*Note: 20th century Canadian residential schools for First Nations are in fact notorious, not just for 'inferences' of abuse, now. "About 150,000 First Nations, Inuit and Metis children were taken from their families and forced to attend government schools. The last school closed outside Regina in 1996," wrote Bill Graveland, of the Canadian Press, in 2018. These schools had a history of "physical, sexual and emotional abuse," and a Truth and Reconciliation Commission "estimated at least 6,000 children died at the schools."
Source: "Online course that asks about positive effect of residential schools 'a slap in the face'" [Global News Canada]

***

[Disclaimer in advance: Maybe this review isn't a very profound insight, because I read the book for the first time today and likely many facets haven't sunk in yet. Also, it's part of a series.]

In Stone (Highwater Press, 2010), the first book of the 7 Generations series, David Alexander Robertson's protagonist is Edwin, a present-day man who attempts to kill himself and sends a despairing message to his mother. The young man's mother rushes to his hospital bed and asks him to look to his ancestors to guide him out of his crisis.

Faith in ancestors is a little sentimentalized. Maybe a few ancestors were awful people who'd give awful advice. But I think that for First Nations, searching for and understanding one's forebears is a necessity of life if, because of colonialist policies, the line of tradition and of family history has been interrupted.

"Cree Camp on the prairie, south of Vermilion (Lat N. 53 Long W. 111 nearly) Sept. 1871."
by Charles Horetzky (1838 - 1900)
Library and Archives Canada
via Wikimedia Commons

In flashback scenes, Edwin sees the life of a warrior ancestor Stone whose brother has been killed by the Blackfoot nation. Struggling to come to terms with the death, the 19th-century warrior finds that he is finally permitted to avenge his brother, and he is able to find a new life with a young woman who loves him.

"Wanuskewin Heritage Park" c. 2008 by K. Duhamel
via Wikimedia Commons (License: CC BY 2.0)